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Because of this, Shure KSM9 is much easier to use when there are other singers or instruments on the stage. The KSM8 is unique in being a dual-diaphragm, moving-coil stage vocal mic. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. The KSM9 uses an XLR cable to connect directly to the audio interface or mixer. I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. Spitfire Audio Hans Zimmer Collection. Great site. and all parts are high grade. By 1967 Electro-Voice had improved the concept and the RE15 model was the first with Continuously Variable-D technology. Shure KSM9 is a professional on-stage condenser mic. https://imp.i114863.net/b3emR60:00 - Intro1:12 - Shure KSM8 Only1:41 - Shure KSM9 Only2:11 - Shure KSM8 Only2:33 - Shure KSM9 Only2:46 - Shure KSM8 Only3:06 - Shure KSM9 Only3:26 - What We Heard5:52 - Thanks for Watching! On vocals and speech, although the level changes, you get very similar frequency response from a couple of inches up to about a foot. This helps to achievean extremely fast transient responseand make the sound more vivid. Ultimately they often sound better. Geeksper.com is the blog site where you can get well-researched microphone reviews, microphone buying guides, and everything related to microphones. It offers a frequency response of 20Hz-20kHz and a maximum SPL of 150dB. However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. The well-balanced and tapered body is comfortable to hold without risk of obscuring the rear ports. On first listen, the two mics have a similarly clear and transparent sound. The D224 became the flagship model, but the D202 and slightly smaller D222 models were far more recognisable thanks to their very distinctive shape. Aside from singers, weve seen it working foracoustic artists too, for example guitar players etc. Save my name, email, and website in this browser for the next time I comment. It switches between hypercardioid (super-directional) and sub-cardioid (super-wide) patterns. Condenser mics are generally considered as sensitive to handling vibrations; however, in case with KSM9 the difference is tremendous. More about the different types of microphones here. The kit includes a regular mic clip and a stiffened soft carry pouch, and theres a choice of finishes - black or brushed nickel. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum.As polar patterns go the KSM8 boasts a remarkably consistent cardioid response, with an excellent rear null across most of the frequency range, and Shure claim it to be the purest cardioid polar pattern the company have developed to date. Features. All rights reserved. Singers with quieter voices will find that a live condenser mic can better convey the emotion and intimacy of their performances. This is like having two mics in one, and is a real bonus. The Neumann kms 105 is a popular choice among drummers due to its great sound and durability. A perfect choice for precise, intimate live vocals. An interesting side-note here is that Ben Bauer, working at Shure in the mid-1930s, developed a broadly similar acoustic labyrinth concept based on Braunmhl-Webers work for a single-capsule moving-coil cardioid mic. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Importantly, the mic provides a pretty consistent 5dB of rejection of sources at 90 degrees right across the frequency range, so that whatever off-axis spill is captured remains fundamentally uncoloured. It is for precisely these reasons that dual-diaphragm capacitor microphones have become the standard choice for recording close-up vocals, users often citing the preferred low-frequency character, and why single-diaphragm cardioid mics are generally preferred for more distant-miking applications. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. The Shure KSM8 Dualdyne Microphone is the world's first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. Given the absence, until now, of dual-diaphragm technology in moving-coil mics, it wont surprise anyone to learn that constructing such a design is extremely difficult, not least because of the need to squeeze the magnetic assembly between the two diaphragms, the spacing of which is restricted by the requirements of the internal acoustic structure. Firstly, good live condenser mics, such as the KSM9 have internal shock mounts. In a switchable-pattern capacitor mic the rear diaphragm is made electrically active, of course, and by changing the electrical biasing of the two capsule halves and combining the electrical outputs from both diaphragms, it is possible to create any desired polar pattern from omni through cardioid and on to figure-of-8. 3:26 What We Heard If your audio interface or mixer doesnt provide phantom power, there is a solution: You can connect your mic to an external 48 volt phantom supply. In effect, the passive diaphragms compliance acts to partially block or impede low frequencies from reaching the rear of the front diaphragm, thus altering the net pressure acting on the active diaphragm in a frequency-dependent way. Just make sure to point it where you want to and it will do the rest. But the Shures smaller dual diaphragm design may give it the edge when it comes to a natural, clear and authentic sound. Being music makers ourselves, we love geeking out on all things gear. The dual-diaphragm microphone delivers a smoother response throughout the vocal range and is less susceptible to improper microphone handling, requiring less corrective signal processing and resulting in a more natural sound. And although the smooth midrange suited the guitar cab, on snare drum we really missed the boost in brightness that an SM57 brings. Instagram: @marcusdscott, After you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! Are there any favorites on the Sennheiser end of things? However, what is new groundbreaking, in fact is the application of the dual-diaphragm configuration in a moving-coil capsule. Interesting Essay On Sampling Rights and Reforms. Neumann are known for producing premium quality microphones, and so its no surprise that the KMS105 gives the Shure KSM9 a run for its money. Consider helping Sound Forums keep the lights on. But theres one major difference between these two mics. Shures Dualdyne capsule is housed in a brand new aluminium handle, which is similar in shape and size to the KSM9 condenser stage. This is great for recording ambiences, or in a controlled environment like a recording studio. . It may not display this or other websites correctly. Shure KSM9 Cardioid and Supercardioid Condenser Mic. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. No one has been able to do that before now, and Shure proudly describe it as The most significant dynamic microphone technology advancement the industry has seen in more than 50 years.. This compliance is completely absent in a single-diaphragm cardioid capsule, of course. It also helps to counteract the proximity effect. However, if you imagine a noisy gig environment, you can see how you might run into problems with feedback and monitor bleed. $621.00. The mechanical design of the KSM8 offers advancements that benefit the performance and aesthetics of the microphone. Last but not least is an interchangeable polar pattern. Shure's KSM9 is a stage condenser in a traditional handheld form factor. mic. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself!Follow Marcus Scott on social media Instagram: @marcusdscottAfter you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! SHOCKSTOPPER is a trademark of Shure Incorporated in the United States. Shure KSM9 vs Sennheiser E965 for Vocals. I work for a medium sized provider in the UK, we have 16 channels of UHF-R (a mix of UR4D and UR4D+). In a directional microphone, sound waves are generally directed towards the rear of the diaphragm through an acoustic labyrinth, which effectively introduces an audio delay. This improved design had even less proximity effect, achieved through the use of considerably more entry slots designed to provide an almost continuous variation of phase shift with frequency, instead of a small number of fixed discrete shifts. 965 seriously cuts through the muddiness very crisp high end. Great write up. Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). Like most professional microphones, the KSM9 has a low impedance of 150 ohms. Engineering products to address all technical and business criteria and solve the most difficult design problems through integrated mechanical, electrical, software and firmware solutions. Though many singers and softer styles of music will benefit from the extra detail and clarity of a condenser. The benefits of this complicated and expensive approach include a very smooth frequency response with an unusually wide (for the day) bandwidth, a very uniform cardioid polar pattern with negligible off-axis colouration, and the complete elimination of proximity effect. By achieving greater output level while minimizing proximity effect to an unmatched degree, the microphone provides a clean, richly detailed signal with minimal feedback. The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). Itmaintains a great accuracy at higher freqs (where other mics err), and even those high-pitched harmonics sound so much natural! Most industry standard desks or interfaces are capable of providing phantom power, which is sent through the XLR cable to the microphone. Taking its inspiration from Shures classic Unidyne III capsule (thats the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver a more consistent polar pattern. If you want your live vocals to be closer to your refined studio sound, then this is where a good handheld condenser comes in. He specializes in literature and creative writing, with a focus on fiction. Why you can trust MusicRadar The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as . The higher range gets some gentle boost, resulting in more transparency andhelping to cut through more easily. Less spiky in the high mids, which means it sounds a lot better soloed, but doesn't sound as up front with a band. In the studio, a cardioid mic is probably all you need in a well-isolated vocal booth. This mic has a number of features that make the overall experience even more enhancing First of all, is a state of art suspension system for the capsule, which results in reduced handling noise. A premium-range handheld condenser vocal mic with a clear and authentic sound. The dent-resistant mesh grille is constructed from a hardened carbon-steel wire and permanently lined with a hydrophobic fabric. XLR are the standard connectors on all professional studio equipment. Controlling proximity effect in moving-coil mics is not a new idea, and different manufacturers have developed a variety of strategies over the years. I cant hide my enthusiasm about the Shure KSM9 its a great live mic. This mic has all the detail and nuance that youd expect from a studio condenser. Any artist or singer who has enough money for professional gear could use KSM9. It is made from high-quality components, which ensures that it delivers excellent sound quality. 0:00 Intro The KSM9 microphone typically runs around $700 in a wired configuration. the Telefunken M80). Where you hold the microphone in relation to your mouth can make a big difference in sound. The views expressed are those of the contributors and not necessarily those of the publishers. . Switchable cardioid and super-cardioid patterns. The user should not attempt to remove or replace this lining. The Neumann KMS 105 is a great microphone for those who are looking for a high-quality sound. BLX4 and BLX88 systems are throw-it-in-your-backpack wireless mic systems with portable receivers, great for getting around quickly. This mic is highly dynamic and nuanced, making it the perfect mic for intimate folk, jazz or spoken word performances. So far, so conventional except that the active diaphragm is also stabilised by a series of (patent-pending) sound-diffracting plates positioned directly above it.